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・ Live at Madison Square Garden
・ Live at Madison Square Garden 1978
・ Live at Mainstreet
・ Live at Manchester Apollo
・ Live at Manchester Free Trade Hall '75
・ Live at Mandell Hall
・ Live at Martyrs'
・ Live at Martyrs' (album)
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・ Live at Massey Hall
・ Live At Massey Hall (Blue Rodeo album)
・ Live at Massey Hall (Matthew Good album)
・ Live at Massey Hall 1971
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・ Live at Max's Kansas City
Live at Max's Kansas City (Johnny Thunders album)
・ Live at Maxwell's
・ Live at Maxwell's (Ravyns album)
・ Live at Maybeck Recital Hall, Volume Sixteen
・ Live at McCabe's
・ Live at McCabe's (Henry Rollins album)
・ Live at McCabe's (Norman Blake album)
・ Live at McCabe's (Townes Van Zandt album)
・ Live at McCabe's Guitar Shop (Freedy Johnston album)
・ Live at Memory Lane
・ Live at Middle East Cafe Boston 21 Sep 1990
・ Live at Mile High Music Festival
・ Live at Milton Keynes - Bootleg Series Volume 1
・ Live at Mississippi Studios
・ Live at Moles Club, Bath


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Live at Max's Kansas City (Johnny Thunders album) : ウィキペディア英語版
Live at Max's Kansas City (Johnny Thunders album)

''Live at Max's Kansas City'' is a live album by The Heartbreakers. Recorded at a series of Autumn 1978 "reunion"/"farewell" shows at the famous Max's Kansas City nightclub, the album's performance — loud, sloppy, and laden with bawdy introductions and/or lyric changes to many of the familiar songs from their only studio album, ''L.A.M.F.'' — further cemented the band's live reputation.
==History==
The album and "reunion" gigs came about after co-lead singer/co-lead guitarist Johnny Thunders had returned from England, where he had completed recording his first solo album, ''So Alone'', for Real Music. His fellow ex-Heartbreakers Walter Lure and Billy Rath had participated in some of the sessions for the album, and all three happened to find themselves in New York at the same time, and decided to play some gigs "for old time's sake" and some "chump change" (per the LP's liner notes). With drummer Jerry Nolan reluctant to backtrace his steps after quitting the band over ''L.A.M.F.'''s poor sound, the Thunders/Lure/Rath triumvirate recruited one Ty Styx to take over the drum seat for the shows, all of which were recorded.
Originally released on Max's Kansas City Records and in England on Beggars Banquet Records through a logo deal with Max's Kansas City, the album was successful enough to warrant a second live recording done at the same venue.〔(Discogs - ''Live at Max's Kansas City '79'' - 1995 reIssue CD, ROIR (RUSCD8219) US )〕 The band, now fully reunited with the return of Jerry Nolan to the drum throne, accepted the invitation. By that time, however, the band were all struggling with their various addictions, with Thunders' own heroin habit escalating. The first two nights of the three-night stand resulted in very little if any usable material, but by the last night, the band were in rare form, with Thunders and Lure delivering their usual witty introductions between songs. After playing five songs, Thunders suddenly left the stage, claimng he had to "tune up" — never to return that evening.
* Ironically, two songs earlier, the band had played their semi-autobiographical "Too Much Junkie Business". The five songs from the last night were mixed down and offered to Beggars Banquet, who refused them.
Several years later, these songs were remixed, along with the original album, in preparation for a long-awaited reissue of the original ''Live at Max's'' album with the "new" recordings appended to it. Walter Lure and Billy Rath participated in the mixing. Thunders was unable to participate due to other commitments, but was played the results, and gave them his full endorsement, requesting only that the 1979 recordings were released "just the way it is, including the talk." (liner notes, ibid) The reissue, however, would not be released until a few years after Thunders' death.
* Actually, in the attempt to record a second Heartbreakers Live at Max's album, the band completed their set after John "tuned" his guitar, but the rest of the songs were unbearably discordant, so they couldn't be used. The bonus tracks were unfortunately mastered 3% slow on the ROIR CD. After hearing the result, I re-mastered them at the correct speed (and spent many hours digitally removing the click from a defective bass drum mic), but ROIR refused to use the corrected master. - Peter Crowley

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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